Prompt 2: pages in the night

It’s still sitting on my bookshelf, dust collecting amongst its pages for the last seventeen years. The last time I read Howlday Inn by James Howe I was a third grader, excited at my ability to read chapter books while most kids still struggled to read at all. The Bunnicula series marked the beginning of my habit to tear through entire books in single sittings, unable to put captivating stories down. It never mattered if I had a test or work at 6am the next morning, I would know the conclusion before I got into the shower.

I fell in love with Bunnicula, the first book, and when I saw Howlday Inn in the Book Fair flyer, I knew I had to have it. I remember that I had been obsessed with two books at the fair, Howlday Inn and Graeme Base’s Animalia. When I say obsessed, I really mean it; I couldn’t leave that Book Fair without them. Vividly, I remember going up to the register with them and being heartbroken that I was short of funds, and I pleaded with the attendant that I needed them. Another student’s mother, who happened to be there, and who also happened to be standing near by,  came over to gave me the extra two dollars that I needed, telling me that she was impressed that a nine year old was so passionate about books. I don’t recall ever being happier as a child than when I walked out of that Fair with the two.

After school, I devoured page after page, and even at lights out, I pulled the covers over my head and dug out my trusty flashlight. I had read Bunnicula that way, under the covers with a flashlight, as well as Return to Howlday Inn and The Celery Stalks at Midnight, the latter books of the series. And with each book of the series, whenever I began to read for a sitting, the first thing I did: crack the page open to where I left off and breathe in deeply.

Other book enthusiasts won’t think I’m crazy, because I know I’m not the only one who smells the lovely pages of a new or worn book. But, with the Bunnicula series, there’s something very different and comforting about the smell. It’s unique; I could pick it out of a thousand book scents if I had to. Even to this day, I can still inhale the scent of the pages of Howlday Inn and take myself back to being nine again, under my Lion King comforter with a flashlight. Though I can’t remember the events of any of the Bunnicula novels, save the names of a few characters, I always remember how it felt to fall in love with books.

 

From WritingFix.com: “Where were you when you read it last? Remember a favorite book from your childhood.”

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Prompt 1: the future of us

It’s 2032, and all the recovery from the recession twenty years ago has done little to lift the spirits of the country’s citizens. In fact, times could not be worse in the present, like the Great Depression has reared it’s ugly head again for a comeback of a higher magnitude. But unlike the great dustbowl, the scenery is laid waste with shiny, metallic surfaces, not tumbleweeds and barren farms. Farms have disappeared altogether approximately six years ago, and instead, laboratories house the crops of plants I barely recognize anymore. I rattle my tin can along a fence on main street, but tin is just a title, not the substance. Aluminum itself has long been depleted, despite recycling’s best efforts, and now everything is just an alloy of, well, everything.

I’ve been looking for work for quite sometime, now. I keep telling myself that it’s only been a few weeks, but I know the reality is so much greater. For thirty years I worked for a newspaper, loading the reams of print and tending the lithography machines. The shift to complete digital set my position in front of the block where the guillotine loomed above. But I, I am not the only one. Every business has gone digital by now, cutting millions of jobs for people in order to keep up with consumers’ desire to have everything in the now. The moguls built on technology have created a chasm in which the wealthy few relax their fat and happy selves on one side while the rest of us scrounge in poverty on the other.

I never needed to be up with the times, my job never required it, and I saw no reason to make it a hobby for myself. Before the lay-off, I led a comfortable life, living alone in a quiet suburb completing crossword puzzles and taking walks in the park. Technology sprung up around me, at a rate I can scarcely remember, and I lived fine without it. Who knew it would be so all consuming, not just a whim for convenience or entertainment. Who would have thought that it would cause a rift in employment, that left those on the outside of advancement in a state of helplessness.

My savings, which I have managed to scrimp and live off until I found a new job, is slowly draining, and I am at my last option. I’ve walked the ten miles to the government office building to request unemployment. Raised in a family where hard work and sweat were law, my pride, thus far, has kept me from doing so.

Walking through the streets, I pass young men and women in abundance with their faces glued to devices, moving as naturally as if they could see straight through them. The technology has consumed more than objects and buildings, but the minds of those who developed with it.

I dispose of my empty beverage in a recycling bin by the door and proceed through the entrance. The young man at the counter eyes me steadily as I approach, and he carries himself with a fair bit of nervous tension.

“Good afternoon, sir,” he starts. “How can I assist you?”
“I have come to seek financial assistance. I lost my job some time ago and can no longer afford to live without an income. I have combed high and low for a job that I can perform, but it seems everything has turned to technology these days.”
“Yes, sir. It has. There isn’t a job available today in which technology is not involved,” he responded.
“Well, is there any way that I can receive help?” I ask.
“Unfortunately, sir,” he sighs, and I can feel the sympathy in his countenance.
“Recently, the government has disabled all assistance.”
“What?” I ask, completely bewildered. “Why would they do that?”
“The government has passed the series of initiatives as the ‘Exfoliating Clauses’ which prohibits the funding of anything that cannot make contributions to advancement.”
The bewilderment halts any flow of words from my brain to my mouth, and I stand in shock before the young man. Sensing my loss, he continues.
“Here, please take this. Some exceptions might be made, pending a screening. There are locations available where you can go. I’ve loaded the closest address.”

He hands me this device with a flat screen and text within. I recognize the address, a local humane society, and hand it back to the young man. I have no intention to keep something I didn’t know how to use. As I walk the several blocks to the address, I begin to wonder why the screenings are at that location, perhaps I didn’t realize they had renovated it into a clinic. In fact, when I approach the building, which appears as I had always remembered it, I notice a marquee where the sign used. It scrolled a sign to let me know that the new clinic is located here. Above the building, I notice a stream of smoke issuing from the backside of the clinic behind high steel walls which used house the outdoor play area. I grumble to myself about technology and pollution and make my way inside.

Stacks of mechanized cages line the walls of the one room building where all but one are empty. Inside the lone cage is a melancholic looking dauschund laying on the floor and exhaling harshly in boredom. The nurse at the desk takes my name, hands me a dressing gown, and I change in a curtained off area near the back. As I take a seat in the examination chair, I watch the dauschund restlessly watching me. Then, he stands up, whines, circles the interior, and lays himself back down.

Glancing around the rest of the room, I notice on the small table nearby is a single syringe. The nurse, noticing the direction of my eyes assures me.
“You’ll be needing a vaccination, for a new strain of virus which has evolved from the increase in technology.”
The nurse readies my arm for the shot, and the dog barks once at the entrance of a doctor from the back door. I turn to see the door slowly closing behind him, and I catch a glimpse of an enormous, strange metal furnace, a single blue high heeled shoe lay on the grass before it. The moment panic flits through my features, the nurses pushes a large red lever on the side of the chair that I hadn’t noticed before. It sends straps over my ankles, wrists, neck, and midsection.

The “Exfoliation Clause,” I get it now. Get rid of the dead cells to make room for the new generation. I wish I could find it funny, but instead, I cease struggling against the straps and brace myself for the push of the needle. The dog howls in unison to my scream.

Can you guess the prompt? Hint: there’s four separate topics that I had to include.

To read the prompt, highlight below.
The prompt, from Seventh Sanctum’s challenge generator: “The story takes place twenty years into the future. During the story, there is an economic crisis. The story must have a dog at the end. During the story, a character finds out a dark secret.”

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What’s your game? Mine is WoW.

It’s been awhile since I’ve posted, namely due to being swamped with freelance work. I won’t complain though, I enjoy it. 😀

I wanted to obliterate T-Mobile and their obvious copying of the old Mac commercials, but seeing as I’m reeling with excitement for World of Warcraft’s Cataclysm, which is coming out in two weeks(!), I’ve decided to give you a look back at my favorite Warcraft commercials. The first one is a joint effort between WoW and Toyota, and it happens to be my favorite commercial of all time.

Did you see me lay down the law? I am teh lawgiva! hahaha. never gets old. Epic ad by Saatchi and Saatchi in LA, CD Harvey Marco is my hero for this. Read more about it here: http://theinspirationroom.com/daily/2007/toyota-tacoma-in-world-of-warcraft/

This commercial was inspired off the famed World of Warcraft viral video with LEEEROY JENKINSSS!! (note: the Leroy Jenkins video isnt completely pg. there’s  a few swear words.)

This second one is from the “What’s your game?” campaign and features celebrities the characters they play on the game. Even though the Mr. T, Vern Troyer, and Ozzy Ozbourne ones were incredibly popular, I was thrilled to see Vic Mignogna have a spot. Lesser known to most people, in the nerd world of anime, he’s at the top, voicing some of the greatest anime characters of all time (Edward Elric from Full Metal Alchemist, Tamaki from Ouran, Goemon from Mystical Ninja, Dark from DNAngel, just to name a few). I didn’t notice until rewatching it again today that his shirt actually reads “Affliction” which is a warlock spec in WoW.

His final line is a total play at his role as the alchemist Edward Elric in FMA. It’s brilliant.

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Cataclysm is coming, anyone know the Song of Time?

So I was sitting in Dalaran the other day, and there was a rumble and everything started to shake. “Oh!” I thought, “this must be the earthquakes everyone keeps talking about. Boy, they seem oddly familiar.” So tonight I was sitting in Stormwind and another earthquake struck. I panned my camera to the night sky, and it dawned on me why I wanted to look skyward. I knew then, the cataclysm was more than the arrival of Deathwing….

Good thing I have this female gnome mask from the Halloween daily…

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The Cataclysm approaches!

Epic. Win.

I saw both of these today, makes me happy I put in for Dec. 7th off.

Foxtrot comic on Cataclysm

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bad design in nerd world

Here are a few things that caught my eye over the last few months. Both of which I posted on facebook.

Seriously Blizzard? A world famous company and your designers do this?
I thought kerning was Design 101!

And I know Game Informer was doing a 1921 “edition” of their magazine for the release of Bioshock 3, but that is still no excuse for disregarding margins and destroying words with tracking! and floating, centered typography…. @_@

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